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Omar Robert Hamilton in conversation with Elisabeth Jaquette

Hera Büyüktaşçıyan in conversation with Basak Senova

Özgür Uçkan and Vasif Kortun in conversation with Basak Senova

Mohamed Diab

Burak Delier

A project by Maha Maamoun

A Project by Lara Baladi with an introduction by Dorothea Schoene

Contemporary Artistic Practice in Iran at a Revolutionary Moment

The Encyclopedic Palace

Tinkerings on the Instable Present Tense

Creative Time Reports

Introduction

Artistic Practice from Tirana to Tangier

What has Changed in Tunisia since Spring 2011

The Net is Not a Tool, It’s an Environment

The Shifting Narrative of Uprising

The Impossibilities of Production in New Media

Theatre As a Tool of Empowerment

Can the subaltern tweet? asked Lisa Nakamura, in response to the formulation 'social media caused the Arab Spring'. If Spivak famously deconstructed the promotion of democracy by supremacist means, Nakamura and others subsequently dismantled the digital orientalism latent in rhetoric suggesting that a US twittersphere galvanised Arab revolutionaries against Arab...

Sites of Return: Ramallah

Cities Exhibition 5, 'Gaza – Reconstruction': Ramallah

O Whale, Don't Swallow Our Moon: Ramallah

Pattern Recognition: Ramallah

The Jerusalem Show VIII 'Before and After Origins': Jerusalem

Biographies

Contextual Notes: Rawan Sharaf Reema Salha Fadda Stephanie Bailey

Curator's Essay: Aaron Cezar

A roundtable discussion

Shezad Dawood in conversation with Sara Raza

Ziad Antar in Conversation with Anthony Downey

Michket Krifa in conversation with Wafa Gabsi

Rasha Salti in conversation with Fawz Kabra

Mario Rizzi in conversation with Dorothea Schoene

Marie-Monique Steckel in conversation with Fawz Kabra

Chapter 2: Details

Sulayman Al Bassam in conversation with Ala Younis

Rasha Salti in conversation with Sheyma Buali

Meriem Bennani in conversation with Myriam Ben Salah

Slavs and Tatars in conversation with Franz Thalmair

Randa Mirza in conversation with Amira Gad

Haig Aivazian in conversation with Rayya Badran

Lara Khaldi in conversation with Ghalya Saadawi

Adelita Husni-Bey in conversation with Stephanie Bailey

Lasse Lau in conversation with Amira Gad

Mario Rizzi in conversation with Cristiana Perrella

Mounira al Solh in conversation with Nat Muller

Seth Ayyaz in conversation with Sheyma Buali

Maya Zbib in conversation with Amal Khalaf

Navine G. Khan-Dossos in conversation with Stephanie Bailey

Sumesh Sharma in conversation with Amanprit Sandhu

Ali Cherri in conversation with Sheyma Buali

Shumon Basar, Ala Younis and Omar Berrada in conversation with Sheyma Buali

Wael Shawky in conversation with Stephanie Bailey

Georgia Kotretsos in conversation with Stephanie Bailey

Carole Alfarah in conversation with María Gómez López

Kim Beamish in conversation with Sam Bowker

Louis Henderson in conversation with Amira Gad

Leung Chi Wo in conversation with Robin Peckham

Nora Razian, Nataša Petrešin Bachelez, and Angela Harutyunyan in conversation, with a contribution from Natasha Gasparian

Leila Al-Shami: Emerging from ‘The Kingdom of Silence’ | Beyond Institutions in Revolutionary Syria

Ibraaz

Amira Gad

Sharjah Art Foundation, 17-19 March 2012

Art and Culture in the ‘Imagined’ Arab World, Cornerhouse, Manchester, 13 April 2012

Ibraaz

Notes from a roundtable discussion on the state of the arts in Egypt

Ibraaz

Ibraaz

Edge of Arabia Launches Culturunners

Ibraaz

Oscar Guardiola-Rivera: in conversation with Anthony Downey

Ibn Khaldun’s The Muqadimmah

Crisis The End of Pearling in the Gulf (Qatar)

1972-1982 Spaceship Sheraton and the Making of Doha's Masterplans

Katia Kameli: Untitled (2011)

Atef Berredjem: Living with The Aliens (2011)

Kauther

Toleen Touq in conversation with Reema Salha Fadda

A two-part conversation with Szabolcs KissPál and Mahmoud Khaled

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On Navigating Without a Compass

Notes on Geo-cultural Exhibitions

Artists Intervening in Lebanese Dailies

Wael Shawky at the Fondazione Merz

Exhibitions and Other Representations in 25 Years at Witte de With

Reflections on Reflections

Lara Baladi

Ibraaz 5th Year Anniversary Editorial

Socially Engaged Art Practices in Tunisia

Participatory Art in the Middle East

On Assumption and Authority

An Introduction to Platform 010

As a historian of nineteenth- and twentieth-century Middle Eastern art, I am concerned with the urgent questions facing cultural production as well as those facing histories of cultural production. My response below reflects that concern.

On Walking and Crawling

The Little Deaths of Christodoulos Panayiotou

An Ode to Performing Subjectivity in Research

An Alternative Genealogy of Musique Concrète

Notes on Maverickism as Genealogy and Genealogy as Approach

A Nomadological Study of Ottoman Arab Photography

Interventions as Performative Gestures For Political Engagement in Jordan

Contemporary Cinema from North Africa

Notes on a Giant Implosion

Portrait of a Salafi en abyme in the Cyber World

The term 'Global South' is quite new to me – but since my practice is concerned with the legacy of the transatlantic slave trade and the impact colonialism has on today's power structures I find it obvious that the concept of the 'Global South' is of great relevance in my...

A Provocation to the Question

Re-routing Institutional Critique

In the Shadow of Nasser

Arts Infrastructures and Institutions in Libya Post-Dictatorship

"Neither identification with an institution nor disengagement from an institution guarantees fluid, sensitive attitudes and openmindedness."

The Politics of Food at Delfina Foundation

Isak Berbic

A Radio Series on the Poetics and Politics of Language

A Video Game Mausoleum for Bashar al-Assad

An Image of a Revolution

A project by Tom Bogaert for Ibraaz

A Project by Anahita Razmi

Lina Khatib

Projects 'Graphic Witness' at Drawing Room, London 010 / 16 June 2017 When images of conflict and protest can be so easily captured on mobile devices, why translate them into graphic representations? How does the translation into graphic form change the act of witnessing, fabricate commentaries on instances of injustice,...

Basma Alsharif

Joe Namy

Samah Hijawi

Yasmine Eid-Sabbagh’s 'A photographic conversation from Burj al-Shamali Camp'

FIAF’s 2013 World Nomads Tunisia Festival

Farah Makni Hendaoui

Literary Affects and the New Political by Tarek El-Ariss

Is soft power helping or hindering the state of the arts in Jordan?

Aid and the Politics of Art in Processes of Contemporary Cultural Production

Looking for Palestine in the Jordanian Music Scene

Gulf Labor

An Exhibition between Cairo and London

Refraction: Moving Images on Palestine at P21 Gallery

Artistic Practices, Collective Action and Civil Society in Tunisia

The Story of Bahrain’s Pearl Roundabout

Tarek Khoury

A.S. Bruckstein Çoruh

Using new media tools and technologies available today has become standard practice for a range of activities; it's become a source of educational content and entertainment, as well as a means of communicating from conflict zones or even from the comfort of our homes. New media technologies available on smart...

A significant component of Sada's programming provides seminars, lectures, and workshops to young, emerging artists and students in Baghdad. We do this using basic Internet connection, Skype, some simple software, and a projector. A private Facebook group is the site of extensive conversations, critique and debate. This was not done...

Anthony Downey

Politics, Media and Art after the Arab Uprisings

Perceptions of Occupation and Control in Cyprus

Cultural institutions in Turkey are divided into those run by the state, local governments and private sectors; each have different culture policies and no significant collaborative policies. Contemporary art productions and practices are based in Istanbul and are dependent on private sector investments, rather than official funds. Compared to the...

A friend recently asked me, what would be my dream cultural/art space in Ramallah? In the midst of rapid urban construction in Ramallah, my impulse is not to build another building but create what is lacking – an open public space. I feel this would be an artistic, political and...

Yazid Anani

Cardboards are leaned against a wall in a street. They form a peculiar assemblage one can identify as makeshift shelters. Fashioned out of the detritus of consumer society, the cardboards have become facades. They conceal women who were probably repudiated by their families. One of them emerges from her 'house'...

Walking in the Darkness of a Promised Light

Raymond Baker

Aesthetics, Civil Society, and the Politics of Representation